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A vampire horror about giving the obvious

Darren McGavin as reporter Carl Kolchak and Barry Atwater as Janos Skorzeny, the vampire.

Darren McGavin as reporter Carl Kolchak and Barry Atwater as Janos Skorzeny, the vampire.
image:: ABC

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A protagonist’s complete ignorance of the supernatural danger they are dealing with can often arise Horror thriller films that is much more pleasant to see. But there are times when you just want to see a Hero with a head on his shoulders who when faced with the reality that is there Vampires in their midst thinks: “Let me get a cross and a stake.”

In John Llewellyn Moxeys The night stalker, the 1972 TV adaptation of Jeff Rice The Kolchak PapersA beloved (but also widely ridiculed) Las Vegas journalist comes across the story of his life. Although the Vegas PD initially believes the recent murders plaguing the city came from the mill, Carl Kolchak (Darren McGavin) can view the crimes as such and accurately deduce that a vampire is stalking the streets of Sin City.

With more and more young women going missing, only to turn up dead and bloodless days later, even as coroners explain to the public that traces of human saliva will be present, police and city health officials can hardly imagine what will happen found the bodies of the victims. But Kolchak – whose instinct for news is suppressed by a dismissive editor who just wants him to produce fluff – realizes that the danger people are in is very obvious, as Kolchak, unlike everyone else, is very inclined to To take facts at face value, no matter how ridiculous they may seem.

When Kolchak becomes involved in the hunt for Vegas’ night killer, he can’t deny that he’s overwhelmed and more. Kolchak is a man of his time, although he may be embroiled in the situation, which means his world is smaller by today’s cultural standards. How The night stalker opens up, his mind not particularly fixated on the idea that demons lurk in the shadows, but as the blood-soaked corpses pile up, Kolchak can’t help but grasp the obvious idea that an actual vampire is killing people with impunity while the living population scratches its collective head in confusion.

While The night stalker is not what you would call an anti-drug movie, there are elements of this type of news scattered throughout the story speaking in a way that speaks of 1970’s filmmaking and the kind of moral panic about substances like grass that held a number of people at the time. It is easier for the police chief and his colleagues to believe that there are simply people mad about attacking people than to consider the possibility that the dead may be resuscitated with the intention of killing the living.

Unlike the more well-known vampire hunters of the genre, Kolchak has little training or innate superpowers that make him a formidable enemy for demons. The night stalker presents his hero as a fake man who is completely overwhelmed by the actual threat, but his relentless ability to use his eyes and piece together metaphorical riddles gives him a firm footing among his peers. While The night stalkerKolchak repeatedly realizes that vampires are real and understandable reasons when considering the human population would just come to the same page they would not have to live in constant fear of them for their very existence.

While The night stalker The film has a slew of scenes with its vampiric threat that causes havoc when it murders people and steals blood jugs from the local hospital. The film wants us to fear most when we are deeply unheard and then misunderstood. Even if it becomes clear that Kolchak’s hypothesis relates to money, no one around him wants to accept it, because it would have to change their worldview in a profound way.

In a sense, this solitude is what frightens Kolchak most; Despite being almost constantly surrounded by coworkers, his girlfriend and the myriad of people who flock to the casino, he considers his tamped spots as himself when it comes to vampires. No matter how much Kolchak screams and tries to make people believe, his screams are ignored, which becomes more and more terrible as the film progresses as you can see how this thinking always leads to more people dying.

Until the end, Kolchak struggles to use his voice to bring the people around him to safety, but the film does not end with having any significant impact on the greater struggle against the supernatural. Instead, it closes the idea that there are certain people who run and hide from the truth, even when things get painfully obvious because it’s easier in the moment. This mentality The night stalker insists, is a central part of humanity that will not go away no matter how hard we try to fight it, and it really is what we must be afraid of.

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