Narcos began as a show about Pablo Escobar, a real-life gangster who surpassed even the most outrageous fictional ones. The show built a compelling two-season thriller about his amazing life and death. But while Escobar died, Narcos – a hit that premiered in 2015 when Netflix was quickly building its streaming empire – had to go on. A third season followed another Colombian cartel. Then a spin-off followed, Narcos: Mexico a parallel cartel in Central America. The first season described their ascent; The second chronicle reports on the case. If all of this made sense, it has become difficult to keep track. The show is too busy after the cocaine.
Narcos: Mexico is the story of Mexico's first drug king Miguel Ángel Félix Gallardo (Diego Luna). The 1
The second season of Narcos: Mexico wants to address the consequences at least superficially. The collapse of Gallardo's realm is based directly on brave actions during his ascent – most directly on the murder of DEA agent Kiki Camarena (Michael Peña), who sends Agent Walt Breslin on a ruthless mission of retribution. There are also bridges that have burned down along the way, friendships that are on fire to use as fuel for ambitions that make many eager to override Gallardo.
Meanwhile, Narcos occasionally makes overtures to the greater meaning of the story she tells. In 10 episodes, Gallardo's desperate maneuvers to keep control of his business and keep it to those who have offended him have ramifications that go beyond the criminal underworld and ultimately lead to rigged presidential elections. "Sounds familiar?" The show's narrator winks.
There is a long line of assumptions, ideas that have existed in Narcos from the beginning, even though they occasionally paid lip service to their subversion: that Central and South American nations are lawless playgrounds for the corrupt where prosperity can only be seized by crooks and violence prevails. From time to time Narcos endeavors to complicate this picture almost entirely through narration: an offline that states that the Mexican and Colombian drug trade serves only to satisfy the appetite of the rich in the United States and Europe or another about the fundamentally destabilizing influence of US foreign policy, which caused problems in exchange for the lighting up of the "solution" to those problems.
The actual moral universe of the show is much simpler: dope traders deserve everything that comes to them, the bad guys often win, and the good guys should be able to do anything to stop them.
Narcos cannot really complicate himself as this would recognize that all of these stories are the same story and if you tell them the show becomes complicit. In the middle of the first season of Narcos: Mexico Gallardo (Diego Luna) leaves his home country for a secret meeting in South America. In a moment that should be a big surprise for longtime Narco's fans, Pablo Escobar (Wagner Moura) is waiting for him.
"I've always seen this as the Marvel superhero universe of connecting narcotics, and that they all coexist," showrunner Eric Newman told The Hollywood Reporter ] not long after the season's premiere in the year 2018. It's a blatant way to describe the dynamism in these stories about cartels and corruption, but it's also a very American one. The gringos want more and more, like the Mexicans do the dirty work for the cartel chiefs. And what better expression of "more" than the excesses of the modern film universe?
This is how Narcos went on and what will happen if it continues. Just as Narcos: Mexico used Narcos with a well-used Escobar cameo, which is a meeting that probably never happened in the real world, the show continues to point to that How it will be Spread out and tell these kinds of stories after the drama of Gallardo's Federation is exhausted. Neither is it subtle to ensure that Gallardo's driver Joaquín Guzmán drives "Chapo" in his first season and spends a lot of time this season laying the groundwork for rivalries that he will carry into the future, for whatever one of the longest-running conflicts in the history of the Mexican drug war.
You could tell this story indefinitely because it is still told today, with every story of a white person angry at how Spanish is spoken, with every ICE raid, with every song for the wall. Cartel dramas such as Narcos are fairy tales for a nation in decline that flatten various and complicated countries for the benefit of a nation that refuses to recognize the chaos it has caused to the world.