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Not everything in Disney's vault is as good as you remember

For anyone of a certain age – that is, anyone who was born before the start of the Disney renaissance and was brought into being in 1989 with the feature film The Little Mermaid – the opening of the Disney Vaults seem like child's play reason to celebrate. It's probably crazy by today's standards as the legendary studio releases brand-new big-budget blockbuster features every year, all of which were digitally available a few months later, but there was a time when kids watched movies like Snow White and the seven dwarfs, Cinderella and Sleeping Beauty in the cinema. My first was Bambi – originally published in 1942 and, like much of the Disney catalog, reissued for a decade in the cinemas for a decade to the delight of children across the country. Yes, in ancient times you may have to wait years to see classic animated films. Now you can turn it on any time on your Smart TV.

It makes sense that the traditions of the Disney vault have reached their most mythical proportions at a time when movies have not yet appeared in a slightly modified form. It makes even more sense, considering that there was a time, believe it or not, if you could not just have a physical copy of a movie you wanted to watch, and if home videos became something most families enjoy It was just as meaningful that the Disney catalog slowly comes out on VHS, safe and clean in huge white clamshell packaging is kept. However, it always threatened that the films would be taken off the shelves at any time and returned to the vault for decades. So it was important to buy the films you always wanted to see. The Disney vault may have been a treasure trove of cartoons, but it was also responsible for a child's first understanding of the economy. Pay for it Aladdin VHS, boy. You've never had a friend like Robin Williams' Ghost and if you (or your parents) do not understand it now, you can not tell when you'll get a chance to hang out with him.

It all ended last month With the introduction of Disney +, the doors of the vault opened for anyone willing to pay seven dollars a month. Star Wars fans got The Mandalorian ; Kids who came of age in infancy got a treasure at Disney Channel original shows. Beyond the original and nostalgic TV program of the streaming service, one of the most exciting parts of Disney + is access to all the films that were delivered and then strategically taken away. The vault of Disney is open, and as it turns out, there is also a lot of mediocrity there.

With the beginning of the streaming wars, consumers are facing a flood of online services with robust movies and shows ̵

1; content that covers the entire spectrum from prestige to content-for-content. Supposedly, there is something for everyone, from Netflix's Oscar hopefuls to streaming-exclusive movies that, if they're really good, would have a real movie release. In the time before an internet connection was fast enough to watch a movie on a laptop – or before you could watch a feature on your iPhone (do not tell Marty!) – these films were not good enough for theater films were still produced but they were posted directly on video. Disney has also taken advantage of this market, and now every Disney + user can finally watch all the sequels of his most popular cartoons directly as a video. Whether that's good or not is up for debate.

One of the most exciting parts of Disney + is the access to old movies that were delivered and then strategically taken away. The Disney Vault is open, and there is a lot of mediocrity.

For every Beauty and the Beast or the Lion King there is a The Beauty and the Beast: The Enchanted Christmas or The King The Lion II: Simba's Pride . Would you like to see two sequels of Aladdin without the participation of Robin Williams? You're in luck: Disney + has it. There are also a lot of Tinkerbell spin-offs if you like something like that. Do you love the recent harvest of Disney remakes, which are often falsely referred to as live action, even though they are mostly computer animated? Disney + also has these (including a Disney + exclusive remake of Lady and the Tramp that has great straight-to-video vibes). There was much to do with the content warnings of the service, which provided explanations for obsolete cultural representations in older films such as Dumbo and Peter Pan but warnings for cheap and mediocre offers are nowhere near found found.

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