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The Haunting of Bly Manor proves that every love story is a ghost story



The haunted Bly Manor, which premiered on Netflix last week, makes me a little sad that I’ve never seen a ghost. It is the second series of The Haunted Hill House Creator Mike Flanagan. To like American horror story, the Spooky Shows are anthology dramas, with each series telling a self-contained story. In other words, they are only connected by cast and aesthetics – – Each show is a drama first, then a horror show, mostly set in lush, creepy mansions.

To like Hill House, Bly Manor is based on a basic horror text. For this round, Flanagan chose the novel by Henry James from 1

898 The rotation of the screw. The original story is told in a flashback by an unnamed narrator who tells the story of a governess who was hired to look after a rich man’s niece and nephew at the stately Bly Manor. Over time, the governess begins to see people who may not actually be there, and she also suspects that something is wrong with the children. Bly Manor uses its source material as a loose framework for narrative and fills the spaces between the main beats of the original plot with independent stories about people who are haunted by very real things (like guilt or jealousy) that occasionally take on a supernatural dimension (ghosts).

Bly Manor begins in 2007 with a ghost story told by a woman (Carla Gugino) the evening before a wedding in an old, historic mansion. Her story takes place 20 years earlier when a woman named Dani (Victoria Pedretti), who lives abroad in London, accepts a job from the wealthy Henry Wingrave (Henry Thomas) as governess of his niece and nephew Flora (Amelie Bea Smith). and Miles (Benjamin Evan Ainsworth). So she moves to the gloomy Bly Manor to take care of her new charges.

But something is wrong with Bly – the kids have clearly seen things no child should see, and someone appears to live in the west wing, which is supposedly cordoned off. Meanwhile, Dani runs away from something that causes her to cover every mirror she comes across.

Despite all this creepy setting Bly Manor is not particularly great at moments when you want to hide under the covers. Like the novella it is based on, the series is a Gothic romance, which means that it is more interested in the supernatural in order to explore indescribable feelings like terror or love. The genre was never particularly popular in its day because it often clashes with the simplest version of horror: the scary kind.

Like the ghosts in the heart, Gothic romances tend to grow as more people tell their tragic stories. There are some scary moments, but the series is a subdued contrast to that The haunted Hill House that produced a number of wonderfully frightening episodes during its run. Bly Manor tried something harder.

Its nine episodes weave a series of tragic stories as the series expands and fills the gloomy halls of the mansion of the same name. We hear from the housekeeper Hannah Grose (T’Nia Miller) who is so lost in her work that she loses herself and seems to forget about her own biography. About Peter Quint (Oliver Jackson-Cohen) and Rebecca Jessel (Tahirah Sharif), whose whirlwind romance predictably ends in tragedy. (Gothic romance.) About the story of Bly Manor itself. It adds up to a series that believes the real beginning of a ghost story is a kiss, not a haunt, because after all, to love is to grieve. Ghosts are nothing more than pain that has managed to bend the rules of the natural world.

in the The haunted Bly Manor, to like The Haunted Hill House real ghosts hide in front of it at the edges of the frame, just out of focus. Spotting them is a fun, scary change – mostly because the show’s characters don’t notice them.

Look closely and you will see: a plague doctor appears in different rooms; elsewhere a soldier appears blurred. They are different from the ghosts the performers can see and the ones that terrorize them. They make you wonder what ghosts haunt the rooms you walk through each day and what stories might be hiding in familiar places.


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