Usually we wait here at WIRED until the season of a show is over to really take them apart, but last night's Watchmen was so doozy that we could not wait. The flashbacks! Angela is being treated in Lady Trieu's facility! The big revelation in the end! Wired writers and editors Jason Parham, Adam Rogers and Angela Watercutter can no longer sit on our hands and put their heads together to find out what they've just seen. Read on to guess what's really going on with Watchmen . There will also be spoilers, so be forewarned.
Angela Watercutter, Senior Editor: I start. So, in any case, I want to sum up the flashbacks of Angela Abar's (Regina King) youth in Vietnam and her time treating her for her nostalgia overdose of Lady Trieu: this last scene … er, What happened? 1
Adam Rogers, Senior Correspondent: I saw two things coming, and neither. At first, I assumed the show was dr. Manhattan was completely denied, since my understanding of the end of the comic Watchmen was that Doc left our galaxy or our universe with the intention of creating his own people to be divine. Maybe it's his universe where this show takes place! And ambiguous and reserved endings are the métier of the makers of this show. If God did not show up, it would give the whole business an existential atmosphere of waiting for God.
The second thing I saw coming, but materially still wrong, was that Dr. Manhattan was already on earth. Some of the promotional materials for the show featured Angela Abar / Sister Night, with an unearthly blue glow in the color of Dr. Ing. Manhattan was lit. I thought he was her.
So I've been wrong in everything that's typical, except to what extent the color of the skin is a key to the entire show and the secret story of the superheroes. It takes a lot of flair and sensitivity to extract this meaning from Alan Moore's original work (even though he rejected one of the works that picked up the title and story of the Guardians and authored the comics after a long, lousy treatment by the Guardians as a whole ) Business page). I think Moore has planted the seed by putting a noose around the neck of Hooded Justice, the first masked vigilante – he once considered the Ku Klux Klan Mythology Birth of a Nation described the first real American superhero movie. And now, as Emily Nussbaum wrote in the New Yorker HJ, who is African-American, is a networked canon.
I love that Sister Night seems to have built up from a Blaxploitation character. I love the black / white dichotomies of her mask and that of her grandfather, who have now been exposed as hooded justice (and a model of the black and white duality of Rorshach's mask and his Randian view). I think it's great that Will Reeves, the originator of Hooded Justice, is a mix of Superman (orphaned, raised in a world he does not know) and Batman (orphaned, inspired by an adventure movie).